Definitions of Science Fiction
Here are some cool definitions of science fiction by various sci-fi authors listed on Definitions of Science Fiction.
Frederik Pohl
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true...and that gets tricky when you take a good, hard look at the world around you.
The Shape of Things to Come and Why It Is Bad, SFC, December 1991
If anyone were to force me to make a thumbnail description of the differences between SF and fantasy, I think I would say that SF looks towards an imaginary future, while fantasy, by and large, looks towards an imaginary past. Both can be entertaining. Both can possibly be, perhaps sometimes actually are, even inspiring. But as we can't change the past, and can't avoid changing the future, only one of them can be real.
Pohlemic, SFC, May 1992
That's really what SF is all about, you know: the big reality that pervades the real world we live in: the reality of change. Science fiction is the very literature of change. In fact, it is the only such literature we have.
Pohlemic, SFC, May 1992
Does the story tell me something worth knowing, that I had not known before, about the relationship between man and technology? Does it enlighten me on some area of science where I had been in the dark? Does it open a new horizon for my thinking? Does it lead me to think new kinds of thoughts, that I would not otherwise perhaps have thought at all? Does it suggest possibilities about the alternative possible future courses my world can take? Does it illumunate events and trends of today, by showing me where they may lead tomorrow? Does it give me a fresh and objective point of view on my own world and culture, perhaps by letting me see it through the eyes of a different kind of creature entirely, from a planet light-years away?
These qualities are not only among those which make science fiction good, they are what make it unique. Be it never so beautifully written, a story is not a good science fiction story unless it rates high in these aspects. The content of the story is as valid a criterion as the style.
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Frederik Pohl
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true...and that gets tricky when you take a good, hard look at the world around you.
The Shape of Things to Come and Why It Is Bad, SFC, December 1991
If anyone were to force me to make a thumbnail description of the differences between SF and fantasy, I think I would say that SF looks towards an imaginary future, while fantasy, by and large, looks towards an imaginary past. Both can be entertaining. Both can possibly be, perhaps sometimes actually are, even inspiring. But as we can't change the past, and can't avoid changing the future, only one of them can be real.
Pohlemic, SFC, May 1992
That's really what SF is all about, you know: the big reality that pervades the real world we live in: the reality of change. Science fiction is the very literature of change. In fact, it is the only such literature we have.
Pohlemic, SFC, May 1992
Does the story tell me something worth knowing, that I had not known before, about the relationship between man and technology? Does it enlighten me on some area of science where I had been in the dark? Does it open a new horizon for my thinking? Does it lead me to think new kinds of thoughts, that I would not otherwise perhaps have thought at all? Does it suggest possibilities about the alternative possible future courses my world can take? Does it illumunate events and trends of today, by showing me where they may lead tomorrow? Does it give me a fresh and objective point of view on my own world and culture, perhaps by letting me see it through the eyes of a different kind of creature entirely, from a planet light-years away?
These qualities are not only among those which make science fiction good, they are what make it unique. Be it never so beautifully written, a story is not a good science fiction story unless it rates high in these aspects. The content of the story is as valid a criterion as the style.
Read more
Subscribe to Mercury by Email
Labels: sci-fi stuff on other blogs
posted by Trula at
8:46 AM
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